The current lens should show what is alive now.
The archive can be wide.
The lens should be selective.
It should help someone understand what questions are currently shaping the work.
What keeps coming up.
What feels unfinished.
What old ideas have become newly relevant.
What should be read as background instead of position.
That is a useful kind of compression.
Not everything needs equal weight.
The current lens is where the archive learns how to face the present.